Using both modified and cameras of my design and construction, all images are shot on multiple rolls of film simultaneously. While many of the images are lens-based, some photographs are pinhole images. All toned images are silver gelatin prints made from the unaffected negatives straight from the camera exposure. The coloration is made through the multiple and selective use of archival toners that change the silver halides in the paper base. The chemical reactions result in a more stable compound, increasing the longevity of the print and creating the colors perceived. No color photographic materials are used in those images.

The Chromogenic prints are created by hand processed color negative, or hand developed cross-processed negatives. The orignal Chromogenic prints are then made optically and then scanned and printed through commercial Chromogenic means.

I Currently have 5 cameras that I have made and use regularly. Of them, two of the cameras can load 2 rolls of 120mm film or 3 rolls of 35mm. one in a standard format and one in a panoramic format. The remaining Cameras can be loaded with 3 rolls of 120mm film or 5 rolls of 35mm film. One of these cameras is pictured below.

Camera Front

Camera Back

All Prints are archivally toned in selenium, gold, sepia or a combination of several toners.